Mark McHugh knows Kilcar need to win and possibly win well if they’re to have any chance of progressing to the last eight of the Donegal SFC.Kilcar host Bundoran this weekend in Towney, knowing a big victory over Brian McEniff’s side may not be enough to see them advance to the last eight. Glenswilly host St Michaels and if they secure a win, then John McNulty’s side would need to record a huge win over Bundoran to advance on scoring difference.Kilcar currently sit third in the group on two points, Glenswilly sit on second, but have a superior scoring difference after hammering Bundoran by 6-15 to 0-09 last Saturday. Kilcar can only concentrate on themselves on Saturday night, and will look to first secure the win before they start thinking about how much they’re going to win by.But there’s no doubt the Kilcar management will be informed of what’s going in Foxhall and there players will be aware of what’s going on throughout their match.Bundoran have suffered two heavy defeats and it’s hard to see anything other than a Kilcar win.With Kilcar knowing they may need to rack up a huge score against Bundoran, expect to see a ruthless display. With Patrick McBrearty and Ashley Carr in their forward line, Kilcar carry a serious threat inside and it could be a long hour for Brian McEniff’s men on Saturday evening.VERDICT – KILCAR DONEGAL SFC PREVIEW: KILCAR PRAYING FOR A ST MICHAELS WIN AS THEY HOST BUNDORAN was last modified: October 9th, 2014 by Mark ForkerShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window) Tags:bundoranDonegal SFCGAAkilcarnewsSport
24 May 2011A spirit of artistic innovation with a range of national, continental and world premieres in theatre, dance, music and visual art will be celebrated at this year’s National Arts Festival, taking place in Grahamstown from 30 June to 10 July.“The artists come from everywhere, all disciplines, and are amongst the most excellent, courageous, thoughtful, provocative and iconic,” says National Arts Festival committee chairman Jay Pather.“The festival attracts the best administrators and production crew that help mirror a complex and vast nation on many fronts. From jazz to drama, installation art to comedy, we draw innovation and excellence from a variety of cultures. So we attract the most discerning, wide cross-section of audiences.”DanceThe main programme dance stage welcomes Standard Bank Young Artist for Dance Mamela Nyamza with Isingqala and amaFongkong. This double-bill features a solo work by Nyamza and a collaborative production with the Adugna Dance Theatre Company from Ethiopia.In creating Amafongkong, Mamela says that her intention was to hold an open space to explore the notion of “collaboration” in all its complexities, to see how and where similar and different bodies could meet in movement.The South African premiere of Desert Crossings is a cross-cultural collaboration between UK-based producers State of Emergency and South African choreographer Gregory Maqoma of Vuyani Dance Theatre, performed by a company of five dancers from different cultural backgrounds, with an original score by Steve Marshall.Batsumi is the lyrical new work integrating songs, dance, acting and live music by Thabo Rapoo. Presented by Moving Into Dance Mophatong, Batsumi celebrates the hopes, joys and struggles in the stories of Africa’s hunter-gatherers.The Baxter Theatre will present the Remix Dance Company’s Lovaffair as a celebration of bodies and love, turning perceptions of gender and disability on its head. The company was founded in 2000 with the aim of bringing differently-abled performers together on South African stages, and developing integrated dance locally.The Cape Town City Ballet brings Swan Lake to the festival. This version of the timeless classic is based on that of Vladimir Bourmeister and was first taught to the Capab Ballet Company, now the Cape Town City Ballet, by Frenchman Attilio Labis in 1971. Labis had danced as a guest in Russia in several different productions, and it was from these that he chose the elements to make it one of the most eclectic productions of Swan Lake in the world.The Rajastani Folk Dance Troupe will make their South African premiere at the National Arts Festival, using amazingly rich music and dance to describe the legendary battles of the Rajput rulers.In the SA premiere of Madam Silk, Ireland’s foremost aerial dance theatre company, Fidget Feet, presents a visually stunning show featuring spectacular aerialists, beautiful choreography and multimedia magic. Graceful aerialists Lindsey Butcher, Chantal McCormick and Jennifer Patterson dance, sweep and spin both across the stage and through the air in a universe of veils and drapes, using dance and circus skills on fabric and hoops, with choreography by Fred Deb.Twirling, twisting and arching her body up and around ropes, the Spanish artist who goes by the name FURA will perform two of her choreographed pieces at the National Arts Festival. Angel Heart is danced on a fixed trapeze, while Fourteen, inspired by the story of Argentine writer Jorge Luis Borges’ novel The House of Asterion, is a choreographed work on vertical cloths.TheatreHeadlining the main theatre menu at this year’s festival is Standard Bank Young Artists Ward winner for Drama, Neil Coppen, with his latest play Abnormal Loads. It is set in a fictional battle-field town known as Bashford, nestled in the once war-ravaged valleys of northern KwaZulu-Natal. With a narrative that whisks audiences through two centuries of South African history, Abnormal Loads presents a theatrical universe where the past runs in tandem with the present and events shift seamlessly from the grandeur of a battle-field in 1879 to the intimacy of the bedroom in 2011. Movement, sound, music, multimedia and shadows combine to create a breathtakingly original theatrical experience.The Table is created by Sylvaine Strike and presented by the Fortune Cookie Theatre Company in association with the Market Theatre and the Aardklop Festival. In this cutting-edge theatre production, Strike collaborates with an electrifying cast and acclaimed writer/dramaturge Craig Higginson to bring an enticing slice of a family dinner for audiences.Four children re-unite with their mother over a Friday night meal where a world of love, sibling rivalry, confused genetics, domesticity, tradition and, of course, food, is unveiled. Funny and moving, this is a journey into the heart of a family redefined by the South African experience.The Baxter Theatre brings Ariel Dorfman’s riveting play Purgatorio directed by Clare Stopford to the festival. Performed by celebrated actors Dawid Minnaar and Terry Norton, Purgatorio deals with a Man and a Woman in purgatory, a stark and soulless waiting room. Their identities are fluid, and as the drama unfolds it emerges that they are each other’s interrogators, searching for clemency and contrition. Their fates are bound together by a horrific past, and freedom depends on their willingness to sacrifice themselves, each for the other.Created by Rob Murray and presented by FTK:K and Conspiracy of Clowns, Benchmarks is a small story of great hope and rebirth. In the Mother City, three desperate and lonely individuals – a middle-aged clerk, a reclusive widow and a Zimbabwean refugee – get drawn into an unlikely relationship that will lead them on a journey of discovery, companionship, tragedy, and reconciliation.Benchmarks is a poetic celebration of the human spirit told by three performers in full character mask, by the crew that birthed Pictures of You, Womb Tide, QUACK!, and GUMBO.Billed as one of the finest plays ever written by Alan Bennet, The History Boys, presented by Peter Toerien and directed by Alan Swerdlow, is packed with superb one-liners is about a group of mostly working-class boys preparing for the entrance exams that will determine whether or not they will gain entrance to the elite world of Oxford and Cambridge.The last pro in Yeoville, written by Martin Kobokae and presented by Utlwanang Theatre Company, is the witty and compassionately told story of the 45-year old Camellia, an ageing white prostitute who loses her sex appeal in an upmarket brothel in Rosebank. She is forced to migrate to the less illustrious streets of Yeoville to retire ungracefully. Entwined in the tale is a 26-year-old mystery in the form of a coloured boy’s picture which elicits conflicting paths that have crossed in the past.Written by Joe Carlaco and presented by Redcan Productions, the South African premiere of Shakespeare’s R&J is set at an exclusive boarding school in the 1950s. Four pupils run into the chapel late one night in a bid to escape from their repressive school routines. One of them brings a copy of Shakespeare’s Romeo and Juliet and they start acting pieces out. Shakespeare’s R&J ran for a year Off-Broadway, becoming the longest-running version of Romeo and Juliet in New York history and earning the play the Lucille Lortel Award.Sadako presented by Hearts & Eyes Theatre Collective makes use of video projection, puppets and live actors to tell the story of Sadako Sasaki and the legend of one thousand paper cranes. Sadako was two years old on 6 August 1945 when the atom bomb was dropped on her hometown, Hiroshima. She survived only to die 10 years later from “the atom bomb disease”, leukaemia.Death of a Colonialist, presented by the Market Theatre, deals with history, emigration, crime, national identity and family as it moves between a high school teacher’s bold perceptions of Xhosa history, the inter-personal relations within his family, and his wife’s quiet acceptance of her imminent death.Award-winning director Lara Bye is bringing Night, Mother to the Festival. This Pulitzer Prize-winning play by Marsha Norman gives Sandra Prinsloo and Annette Louw the opportunity to showcase their talents in the broken and beautiful love story about a mother and daughter in crises.The restaging of Anthony Akerman’s play Somewhere on the Border marks the 25th anniversary since it was first staged. After two decades of silence, the role of the military during the years of apartheid has found its way back into public discourse. Many conscripts who went through harrowing experiences as teenagers are looking back as adults and trying to make sense of it. Somewhere on the Border participates in this conversation.Using starkly elegant imagery, tender camaraderie and a dense and elegiac sound score, Melanie Wilson’s Iris Brunette delicately uncoils the remembrance of a friendship destroyed by the outbreak of war and the unfathomable demise of lost kinship and love. This is a warmly mournful and disarmingly engaging piece inspired by Chris Marker’s film La Jetee, and the 2009 winner of the Absolut Dublin Fringe Best Production.Mark Banks Live will provide laughter in large dollops in the festival’s popular stand-up comedy programme. Mark Banks is one of South Africa’s most respected comedians, digging in to all and sundry with his potent brand of humour.MusicOn the score sheet for the main programme music line-up, Standard Bank Young Artists Award winner for Music Ben Schoeman presents two piano recitals celebrating the bicentenary of the birth of Hungarian composer Franz Liszt (1811) and the pianist and composer Australian Percy Grainger, who died 50 years ago.The KwaZulu-Natal Philharmonic Orchestra will present two programmes. The Symphony Concert under the baton of Tibor Boganyi with soloist Jerome Pernoo (piano) includes works by Offenbach and Brahms. Richard Cock will conduct the Gala Concert with soloists Ben Schoeman (piano) and Magdalene Minnaar (soprano). The programme comprises fascinating and charming works including Liszt’s Hungarian March, MacDowell’s To a Wild Rose, Grainger’s Country Garden and Ambroise Thomas’ Mad Scene from Hamlet, to name but a few.In two separate concerts, The Goldberg Trio and Diamond Ensemble bring renditions of some of the most remarkable works in the chamber music oeuvre. Mozart’s Divertimento in E Flat, K. 563 performed by the Goldberg Trio – Zanta Hofmeyr (violin), Morkel Combrink (viola) and Wessel Beukes (cello). Samson Diamond, winner of the 2010 Standard Bank Young Artist Award for Music, has chosen two contrasting works, Franz Schubert’s deeply sublime String Quintet in C major, D. 956 and Tchaikovsky’s celebrated String Sextet in D minor “Souvenir de Florence” Op. 70 performed by the Diamond Quartet and two guest artists.The Westhuizen Duo presents a programme which includes the staple of the duo-piano repertoire: Rachmaninoff’s monumental Suite No. 2, Op. 17 for Two Pianos together with works by Schumann and Poulenc. They will also perform the world premiere of Jeanne Zaidel-Rudolph’s It Takes Two to Tango and the South African premiere of American Groove for Two Pianos by Evan Mack (USA).Inspired by text from the Book of Revelation, Quartet to the End of Time (Quatuor pour la fin du temps) scored for clarinet, violin, cello and piano is a piece by French composer Olivier Messiaen. Written while a prisoner of war, this major work of the twentieth century premiered in Germany in 1941 to an audience of fellow prisoners and prison guards. Performed by Samson Diamond (violin), Alan Thompson (clarinet), Anna Wilshire Jones (piano) and Wessel Beukes (cello).Take one portion of Beethoven’s Kreutzer Sonata for piano and violin, saute thoroughly and add four delicious tangos by Astor Piazzolla plus five well-known swing melodies and mix briskly until the consistency is almost that of jazz. Beethoven Tango is brought to you by Charl du Plessis (piano) and Zanta Hofmeyr (violin). This is music that you can taste!Come and hear such favourites as Don’t cry for me Argentina (Evita), Memory (Cats), Music of the Night and All I ask of you (Phantom of the Opera), Love changes everything (Aspects of Love) and a host of other famous and popular songs in Lloyd Webber & Friends. Veramarie Meyer (mezzo soprano) and Nicholas Nicolaidis (tenor) are joined by members of the KwaZulu-Natal Philharmonic Orchestra with narration by Richard Cock, who conducts.Auriol Hays Behind Closed Doors features her mature, classy, alternative pop songs fused with jazzy soul wedged between some darker powerful ballads will, at one moment, have you dancing, and in the next, holding your heart heavily in its musical hands. Songwriter/producer extraordinaire Andre Scheepers leads the band on keyboards. The programme will feature hit songs Take it Slow and Turn Up the Volume, both of which received massive commercial radio success.Ever since its debut, the Luca Ciarla Quartet has been appreciated by audiences and critics for its highly original tunes and arrangements, in which contemporary jazz and ethnic music happily blend together, creating an irresistible Mediterranean jazz sound. Presented by Violipiano Arts supported by the Italian Institute of Culture, the quartet is sure to wow festival audiences.Boo! was born in 1997 in the backstreets of Brixton, Johannesburg. Within seven years they acquired an enormous cult following worldwide, brandishing their self-styled genre of “monkipunk”. After breaking up in 2004, Chris Chameleon surprised his punk pundits and cohorts by becoming one of the best-selling artists in Afrikaans music. In 2010, Boo! emerged again and soon won Suckfree Radio’s “Greatest unsigned Band in the World” competition with their remixed and re-mastered album The Three of Us, which has already spawned two hit singles The Three of Us and To Do Today. 2011 is set be the “Year of the Boo!”François Sarhan will present a programme of two works: Lectures of Professor Glaçon performed in English with three French musicians from the collective vocal-instrumental ensemble crWth; and Telegrams from the Nose, created by François Sarhan and William Kentridge, which he performs with four South African musicians including Jill Richards with videos by Catherine Meyburgh.Visual artsOn the visual arts front, Standard Bank Young Artist Award winner Nandipha Mntambo will be presenting her exhibition Faena which is the most beautiful and skilful section of a bullfight. It refers to a dance with death, where the matador must prove his courage and artistry. In this work, Mntambo presents an extension of her interest in the sport of bullfighting. Using the media of painting, drawing, video and sculpture, she creates an experience/encounter that interrogates the viewer’s sense of sight, hearing, smell and touch.The Johannesburg Art Gallery’s retrospective exhibition celebrates the life and work of Alan Crump (1949-2009), entitled Alan Crump: A Fearless Visionary. This memorial exhibition celebrates the extraordinary depth and integrity of his artistic vision by bringing together for the first time a comprehensive retrospective of his work.An innovative group exhibition featuring 26 South Africans and four international artists, each involved in some aspect of comic art and sculpture will collaborate in the CO/MIX Pavilion 2011. Drawing inspiration from the Beautiful Losers DIY street art movement, CO/MIX conjoins expressionist comic art with political and underground cartooning and the contemporary visual subcultures of skate, surf, street, hip hop, Indie craft & graffiti, overlaying it all with a passionate concern for aesthetic integrity in the creation of unique art objects.An exhibition presented by the Caversham Centre will feature works from the major portfolios printed by the Caversham Press, including well-known artists such as William Kentridge, Magkabo Helen Sebidi and the late Robert Hodgins and Gabisile Nkosi. The exhibition will offer a comprehensive history of personal visual concepts and observations mediated by experiencing life in pre- and post-apartheid South Africa. After two and a half decades, Caversham’s contribution to the story of South African printmaking reveals a complex dialogue of many voices and the evidence of many visions embedded in a rich diversity of imagery.… and walk in my shoes, presented by Brodie Stevenson Gallery, is an experiential installation that blurs the distinction between the roles of viewer and performer by Burundi-born artist Serge Nitegeka. As an installation, the sculpture is incomplete without viewer interaction and it gets completed by the viewer’s experience.For future generations is presented in association with the Albany History Museum and the International Library of African Music, and features instruments and artefacts from its vast collection. The exhibition is the outreach and education component of a two year cataloguing and digitizing project (2008-09) and it displays a selection of African musical instruments from the Hugh Tracey instrument collection and numerous features on Tracey’s field research, publications, films and audio recordings. Video stations offer footage of South African mine dancing, Chopi xylophone orchestras, Shona music and story-telling, and on ILAM’s history and current projects.Public performance artThe streets of Grahamstown will again comer alive with spectacular PUBLIC ART performances and exhibitions in public spaces. Following the success of the 2010 festival, this year’s festival will once again open and close with Move Your Mind, a street parade featuring a spectacle of enthusiastic giant puppets, the Phezulu Stilt walkers, the drumbeats of the Sakhaluntu dancers and drummers and physically trained and acrobatic artists from the Oddbody Collective.Members of the public are invited to join in with enthusiasm and a keen sense of frivolity as the throng of giant puppets, stilt-walkers, street acrobats and youth theatre projects parade down the streets of Grahamstown.The South African premiere of Machitun, devised as an outdoor spectacle for the whole family, will wow with flying bouncing acrobats, ethereal dance, aerial battles, the beat of many drums and the soaring harmonies of feminine voices, set against a dramatic backdrop of shadow and light, rain and fire. With direction by Argentine Javier Drucaroff, creator of the shows Doble Banda and Ritual, choreography and performance by Cirque du Soleil selected acrobat Pablo Descoubes, musical direction and score by the renowned Ernesto Romeo and guest-starring some of SA’s top musicians. Machitun has been designed and created for the National Arts Festival by Proyecto 34°S, with a team of professionals artists from Argentina and South Africa, with support from the Argentine Foreign Office.Funded by Culture Ireland, A Fairies Tale is a promenade theatrical performance pieces suitable for the entire family. Set in the idyllic Makana Botanical Garden, it is an adventure about finding out who or what is hiding out in some of the best-known children’s stories of all time. This show depends on the walk, and the audience follows the characters through the garden dancing, running and walking.Loosely adapted from the Antoine De Saint Exupery’s The Little Prince, Tshini Kwedini! takes the audience on a journey of a local herdboy who, tired of living in his tiny village and wanting to make a difference in the world, sets out on an adventure to far-away places in search of his destiny. With song, dance, clowning, music, stilts, juggling, acrobatics, and other circus tricks, this family event has something in it for everyone. Tshini Kwedini! is a local development initiative of the National Arts Festival and OddBody Theatre.Commissioned by the Johannesburg Arts Alive International Festival, the 7x14m Bottle Top Mosaic is a public artwork conceptualized by Hannelie Coetzee and Usha Seejarim of Such Initiative, made up of over 90 000 discarded plastic bottle tops. The work took 10 weeks to produce. At its peak there were 8 community centres, 140 children, 30 disabled adults, 31 crafters and the Such Initiative management team actively cleaning and weaving the bottle tops into a cohesive artwork.Eastern Cape ShowcaseThe Eastern Cape Showcase is a dynamic revitalisation of which positions the East Cape Department of Sports, Recreation, Arts and Culture not only as a major sponsor of the festival but also as the most important player in the preservation and promotion of arts and culture in the province.The provincial showcase will feature theatre, indigenous music and dance, exhibitions, a youth film projects and performances by independent theatre companies who are contributed to growing an arts economy in the province.Two Women, Two Worlds devised by UK actress Val McLane and Nomhle Nkonyeni, a veteran South African actress from the Eastern Cape, comparing and contrasting their lives in the two different countries on two different continents. Together they tell each other and the audience about their customs and their rituals from the choosing of a name to their chosen career paths. In the course of these stories they question each other and the audience; sometimes arguing over their lack of understanding of each other’s culture. They tell stories of determination and resourcefulness from their own family backgrounds, interspersed with songs and poems and dramatic episodes.A Century of Fallen Eastern Cape Artists pays tribute to those who fearlessly used their creative skills in speaking out against the ills of oppression. Their heroic roles in resisting socio-political atrocities contributed to the downfall of the apartheid ideology. The exhibition further highlights the Department of Sport, Recreation, Arts and Culture’s commitment to social cohesion and nation building through the visual arts. Talented young artists express themselves highlighting the elusive economic freedom so desperately needed in a developing country.In the Crafter’s Exhibition, authentic craft art from a province unique in style, design and production techniques have been sourced from urban areas and the most rural villages in the province to create an all-inclusive array of diverse products. Visitors to the Crafter’s Exhibition are guaranteed to have access to craft art that have already made their mark on the global market. Festival visitors will also have an opportunity to interact with crafters who will demonstrate their skills. They will highlight the production process from conceptualisation to design, production and finished product.Rhythms of the Eastern Cape highlight the vibrancy of the sub-tribes of the Eastern Cape – amaBhaca, abaThembu, amaKhoisan, abeSuthu and amaMpondo. Drawn from the various districts of the province, the Eastern Cape Department of Sports, Recreation, Arts and Culture acts as a custodian of preserving and promoting indigenous knowledge systems and indigenous culture. Rhythms of the Eastern Cape, a fascinating display of the province’s rich music and dance heritage, is a potpourri of traditional dance and music ranging from the vibrant foot-stomping of the amaBhaca dance to the delicately refined animal movement of the Khoisan. In an extravaganza of five lunchtime concerts, audiences will be introduced to the sub-tribes or clans who will mesmerise with their indigenous music and dance. Artists will also be drawn from the newly-formed Indigenous Music Orchestra and Eastern Cape Cultural Ensemble.The Village Green Fair and Fiddler’s Green will offer festival goers enough space to take a break away from the performances and exhibitions and to indulge in the extravaganzas of strolling through busy festival markets to purchase from the spoils of hundreds of craft and food stalls.Festivals within the FestivalIn addition to the productions on the main programme, the National Arts Festival effectively runs seven festivals with the festival, including:The Arena programme, featuring productions by some of the winners of last year’s Standard Bank Fringe Ovation Award.The esoteric and eccentric Fringe programme, which often holds some unique theatrical gems and surprises.Think!Fest with its provocative and engaging conversations and debate.The Student Theatre programme showcasing work from the country’s leading university drama departments.The Standard Bank Jazz Festival, with Standard bank Young Artist Bokani Dyer.The Film festival, which will showcase, among others, films by festival guest Richard Stanley.Spiritfest and Wordfest, which also run alongside the National Arts Festival programme.The Festival will again run the Hands On! Masks Off! programme supported by Business and Arts South Africa, featuring a series of workshops and seminars on arts entrepreneurship.The Remix Laboratory, supported by various Embassies, funds community-based artists to attend the festival as a residency programme, allowing them to gain maximum benefit from presenting their own shows and by attending professional performances. Participants are also provided with a series of of creative skills capacity-building workshops with professionals.The festival’s Writer development laboratories allow emerging writers to be mentored by professional writers at the festival, and to have at least one work each year culminate in a full staged reading during the festival. The following writer development laboratories will be resident at the festival this year: Novel Script Project (funded by the Royal Netherlands Embassy), Playwright Development Project (funded by the British Council) and the Theatre in Translation Project (funded by the Argentinean Foreign Office).The ARTReach Project, Arts Encounter Project, Art Factory and the Phezulu Project continue to demonstrate the festival’s commitment to providing access to the arts and artistic development to all communities in Grahamstown.The South African Post Office will be on board this year as a new sponsor of local initiatives to promote indigenous music, coinciding with the launch of a new South African postage stamp featuring African indigenous musical instruments.Now in its 36th year, South Africa’s National Arts Festival is one of the leading arts festivals in southern Africa. Tickets for all shows are available through Computicket.The National Arts Festival is supported by Standard Bank, the Eastern Cape Government, the National Arts Council, the National Lottery Distribution Trust Fund, the Sunday Independent and M-Net.For more information, visit www.nationalartsfestival.co.za.Source: National Arts Festival
(left to right) Melanie Holland, Engen CSI co-ordinator; Vuyo Mdokwe, Lynnette D’ Alton, Bongi Vilakazi and Tristan Zass from Work4You; and Andrew Bryce, Engen general manager of financial services attend the Work4You 10th Anniversary dinner on 22 October 2016. (Image: Supplied)Work4You, an NPO dedicated to the development, training and support of young adults living with intellectual disabilities, has benefited greatly from the generosity of various donors and sponsors.Chief among these donors is South African oil and gas company Engen. The company tries to reach a diverse group of young people through their corporate social responsibility (CSR) efforts.Engen has, since the beginning of their partnership with Work4You in 2006, helped the NPO maximise the impact they have made in the lives of 80 young adults who have benefited from their work.Work4You trains and places young people in Wagalots, a dog treats product line created to provide job opportunities for the young adults.“Our innovative approach at Work4You is to use our Wagalots dog treats product line as the platform and basis for training and developing the work skills of young people with intellectual disabilities, along with their social adaptation and life skills,” explains Lynnette D’Alton, the operations manager at Work4You.“Once the youngsters have completed their training, they are placed in relevant positions at organisations so that they can gain valuable work experience.”D’Alton, who has been with Work4You since 2011, says this process of practical training helps prepare the youth for full-time employment.And thanks to the support of Engen, who contributed eight bursaries in 2016, three young adults are currently employed.Three more are likely to be employed by the end of the year, with the last two Engen bursary recipients currently on job trials.D’Alton explains how the money generated by Wagalots along with sponsorships and parents fees goes to covering the costs of training. “As a result, many young people in poorer areas could not attend the courses, due to lack of funding.“Along with Engen, we identified eight potential candidates whose costs Engen agreed to pay via bursaries for 2016.”“Due to the fact that disability affects a comparatively small percentage of the population, it remains traditionally underfunded,” says Engen CSI manager, Mntu Nduvane, explaining the company’s decision to play a part in helping young adults living with intellectual disabilities.“At Engen, we are mindful that this is a key area of need and we have moved to assist people living with disabilities and their families,” Nduvane says.In 2017 Engen looks to take some of the young adults on board to gain even more work experience. The oil company also intends to provide funding for more bursaries in the coming year.Tasneem Sulaiman-Bray, Engen’s general manager of corporate affairs, says the company is pleased to play a role in helping people with disabilities.“By working together with Work4You we hope to forge a future that is inclusive of all people; where the marginalised have the opportunity to work, and where conditions are created for dreams to be achieved and a brighter future for all South Africans to be manifested,” says Sulaiman-Bray.
On Friday, Microsoft launched a new Video Messages feature for Skype on the Mac, iOS and Android – but not Windows Phone or even Windows. Why? Because that’s not how Skype rolls, a company spokesman essentially said.The Video Messages feature allows users to record up to three minutes of video, and send them to another Skype user. Skype then embeds the video within Skype chat, to be delivered to the recipient. Users can send up to 20 free Messages using the new feature, but will then be forced to sign up for Skype Premium to continue using the service.Right now, Skype is characterizing the new feature as a “test,” according to a tweet the company published on Friday: “We are testing a great new video messaging feature with a group of mobile and Mac users. We’ll let you know when we extend availability,” it said.The mobile platforms that Skype is testing with appear to be just iOS and Android. People who have chosen other platforms – say, Windows Phone and Windows 8, which are also owned by Microsoft – can use the new Video Messages feature, but only via a link that Skype embeds in the chat function. Microsoft has also said that the new Video Messages feature will eventually be available on other platforms, which presumably include its flagship operating systems. A Skype spokesman declined to say which platforms those would be or what the release timeline might be, however.Skype’s Video Messages (a hands-on is available at the Verge) aren’t earth-shattering. One might consider them to be Microsoft’s answer to Vine, although the stereotypical Skype usage model is from a desk, with a headset or microphone – not recording a wedding, or a sandwich, or… whatever Vine users have chosen to spend their six seconds of video on. I’m not sure what Video Message could be used for – although a good example might have been a Valentine’s Day message to a loved one overseas. Too bad Skype was a day late with that one.A History Of Doing Things Its Own WayReally, there is no absolute rule that should force Skype to release a new feature or version of its application on Microsoft’s platforms first. But owning an operating system has become critical to developing hardware, just as apps flesh out and give life and vitality to the combination of the operating system plus the hardware. Last October, Microsoft indicated that it would tie Skype deeply into Windows 8, and later Windows Phone 8 – so deeply, in fact, that you couldn’t turn it off. Skype will also replace Windows Messenger; Microsoft had previously indicated that change would happen this quarter, although the Verge is now citing an April date. But a spokesman for Skype said that the company has a legacy of releasing features first for a variety of different platforms, dating back to the days before Microsoft bought the company. “If you look at our track record, we have always released some features here, some features there – that’s our history,” he said. “I don’t think anything has changed.”As an example, he cited HD video calling, a feature that came to Windows before the Mac; the ability to share screens came to the Mac before Windows; the ability to share files came to Android before other platforms; and Skype users on the Macintosh were able to transfer calls to other Mac users first.“Look, we’re testing this,” the Skype spokesman said. “We’re trying to fine-tune the product… and the plan is to bring this to all Skype products over time.”Skype “does things differently,” the spokesman concluded.Fair enough. But as many have pointed out, Windows developers may already feel a little marginalized by rivals developing on the far more prevalent Android and iOS platforms. The impression, like it or not, is that Microsoft’s Skype division feels the same reluctance to emphasize Windows.Skype may indeed have a legacy of going its own way. But after spending $8 billion for Skype and deeply integrating it within its product lines, however, it’s hard to imagine that Microsoft envisioned Skype continuing to steer the ship away from the very developers that the parent company is working so hard to keep loyal.UPDATE: After this story was posted, a Skype spokesperson emailed the following clarification:Video Messaging is in early release for testing in several markets for Android, iOS, and Mac with functionality to send and receive video messages. Users in these markets across all Windows desktop and mobile platforms can receive messages, too. We will have send capability in Windows by end of April. In the meantime, we continue to test this new feature in its early release.Image source: Flickr/Scott Cresswell. The Rise and Rise of Mobile Payment Technology Related Posts What it Takes to Build a Highly Secure FinTech … Tags:#Microsoft#Skype#Windows 8#Windows Phone Role of Mobile App Analytics In-App Engagement Why IoT Apps are Eating Device Interfaces markhachman
Kevin Durant also had 28 points for the Warriors, who are unbeaten since the All-Star break.Atlanta’s Dennis Schroder, who had 27 points, sank three free throws with 19 seconds remaining to cut Golden State’s lead to 111-109. Durant made only one of two free throws to push the lead to three points, but Andre Iguodala’s steal from Kent Bazemore and layup clinched the win.FEATURED STORIESSPORTSWATCH: Drones light up sky in final leg of SEA Games torch runSPORTSLillard, Anthony lead Blazers over ThunderSPORTSMalditas save PH from shutoutBazemore led the Hawks with 29 points.Curry hurt his ankle when he stepped on teammate Zaza Pachulia’s foot with about 1:30 remaining in the first period. Curry went to the locker room after the quarter, walking without assistance. He returned to the game with 7:18 remaining in the first half and showed no sign of the injury, scoring the Warriors’ next 11 points — including two 3-pointers and a three-point play. Curry closed the half with a left-handed layup, giving him 25 points in 18 minutes.Curry started the second half, added a fourth 3-pointer, and left the game for good midway through the third period. He returned to the locker room.Schroder closed the third quarter by making a buzzer-beating 3-pointer from near the halfcourt line. It was a good night for improbable shots. A Hawks fan wearing a Kyle Korver jersey sank a halfcourt shot during a timeout.Atlanta, in contention for the league’s worst record, stayed close with Golden State, which began the night a half-game behind Houston in the race for the league’s best record.Schroder’s long 3 cut Golden State’s lead to 90-84 entering the final period. Atlanta’s Mike Muscala added another 3 early in the final period, leaving the Warriors with a 92-87 lead. Golden State scored the next nine points but couldn’t keep the lead in double figures.TIP-INSADVERTISEMENT LATEST STORIES Typhoon ‘Tisoy’ threatens Games John Lloyd Cruz a dashing guest at Vhong Navarro’s wedding Google honors food scientist, banana ketchup inventor and war hero Maria Orosa Brace for potentially devastating typhoon approaching PH – NDRRMC Golden State Warriors guard Stephen Curry reacts after making a three-point basket during the first half of an NBA basketball game against the Atlanta Hawks, Friday, March 2, 2018, in Atlanta. (AP Photo/John Amis)ATLANTA — Stephen Curry scored 28 points, including 15 in the final seven minutes of the first half after returning from an ankle injury, and the Golden State Warriors beat the Atlanta Hawks 114-109 on Friday night for their fifth straight victory.Curry turned his right ankle and left the game in the first quarter. He returned for his high-scoring second period before returning to the locker room for good in the third. The Warriors said a “tweaked right ankle” was the reason Curry would not return.ADVERTISEMENT LOOK: Iya Villania meets ‘Jumanji: The Next Level’ cast in Mexico Pussycat Dolls set for reunion tour after 10-year hiatus Typhoon Kammuri accelerates, gains strength en route to PH Police teams find crossbows, bows in HK university PLAY LIST 01:29Police teams find crossbows, bows in HK university01:35Panelo suggests discounted SEA Games tickets for students02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games01:44Philippines marks anniversary of massacre with calls for justice01:19Fire erupts in Barangay Tatalon in Quezon City MOST READ View comments Warriors: Golden State improved to 22-3 against Eastern Conference teams. The Warriors’ 13-1 road record against the East is the best for a Western Conference team since the 2006-07 Suns were 14-1. … The Warriors had 33 assists on 42 field goals.Hawks: Atlanta shot 60 percent (12 of 20) from the field in the first period and still trailed 33-31. The Hawks made 15 3-pointers, including five for Taurean Prince, who had 15 points, and Bazemore. … John Collins had 16 points.MILESTONE 3Curry sank his 200th 3-point field goal of the season in the first quarter. He is the first player in NBA history with at least 200 3s in six seasons. He has reached the mark in every season since 2012-13.UP NEXTWarriors: After ending a three-game road trip, Golden State hosts the Nets on Tuesday.Hawks: Hosts Phoenix on Sunday in the last of four straight home games. Don’t miss out on the latest news and information. Gordon, Magic stop 7-game skid, overcome Pistons in OT Families in US enclave in north Mexico hold sad Thanksgiving Read Next
Mohammad Ayazuddin, younger son of former Indian cricket captain and Congress MP Mohd.Azharuddin, was critically injured in a road accident on the outskirts of Hyderabad on Sunday.Twisted metal and a shoe, worn probably by Ayazuddin or his friend Ajmal-ur-Rehman.Ayaz (19) was racing his imported motorbike – a Suzuki GSX- R1000 sports bike – along with his friend Ajmal-ur-Rehman (16) on the Nehru Outer Ring Road expressway, when it skidded and hit the road divider at Puppalguda junction around 9 am. Both Ayaz and Ajmal sustained severe head injuries. Two-heelers and autorickshaws are banned on the expressway.Both were immediately shifted to Apollo Hospital, where Ajmal was declared brought dead.Ajmal was the son of former Congress Rajya Sabha MP Khalil-ur-Rehman, who passed away in January this year.Ayaz, who was operated upon for head and chest injuries, is battling for life. He has been put on ventilator. Chief surgeon Dr Mahesh Joshi said Ayaz had suffered cardiac arrest. “There was no pulse and he was not respiring on his own. He has suffered serious injuries on his head, chest and abdomen. His condition is highly critical. We are trying our best to resuscitate him,” he said.Azharuddin, who represents the Moradabad parliamentary constituency in UP, was in London when the news reached him. He was expected to reach the city by midnight on Sunday.Chief minister N. Kiran Kumar Reddy and Andhra Pradesh AICC in-charge Ghulam Nabi Azad visited Apollo Hospital in the evening and enquired about Ayaz’s condition.Narsingi police, under whose jurisdiction the accident took place, said the bike was brand new and did not have a registration plate. Ayaz’s helmet was totally crushed. Tyre marks at the accident spot indicated the bike skidded and hit the road divider at high speed.advertisementPolice suspect the boys were racing with friends who may have called the ambulance following the accident but left after it arrived at the spot.Ayaz is a second-year BCom student at St Mary’s College, Secunderabad, and represented the Hyderabad Under- 19 team in the Ranji Trophy.Azharuddin’s elder son Asaduddin is also a cricketer.The Cyberabad Police have been trying to crack down on illegal bike races on the outer ring road, which usually start after midnight and go on till early morning.Last June, actor Kota Srinivasa Rao’s son who was riding a 1000- cc sports bike was killed in a similar accident.srinivasa. [email protected]
New Delhi, Sep 20 (PTI) IKEA Foundation, the philanthropic arm of Swedish home furnishing major IKEA, says it will strengthen its activities to support children, youth and women in India. The foundation has been active in India since 2000 and has contributed 168 million euros to programmes run by its different partners targeting children and women in 19 states so far. “Since 2010 a quarter of our donations went to programmes in India (EUR 94 million) and I can say that India will continue to remain a focus area for us,” IKEA Foundation Communications and Strategic Planning Head Jonathan Spampinato told PTI. Globally, the foundation had made grants totalling 420 million euros since 2010. “Today, the IKEA Foundation supports projects that change attitude towards child labour, provide education and support children,” Spampinato said adding the aim was to help families break the cycle of poverty. “We also fund programmes to empower women,” he said. Elaborating the foundations strategy, he said: “Our goal in India is to help children and youth, primarily the ones living in extreme poverty, who are deprived of the opportunities available to most children in the rest of the world.” On the challenges in the country, he said: “In India there are 130 million children living in poverty – so we have a long journey ahead.” The IKEA Foundation works through its selected partners in India. It has partnered with organisations such as Unicef, Save the Children, Landesa, Pradan among others. PTI AKT RKL MR MKJ
Get the best of News18 delivered to your inbox – subscribe to News18 Daybreak. Follow News18.com on Twitter, Instagram, Facebook, Telegram, TikTok and on YouTube, and stay in the know with what’s happening in the world around you – in real time. New York: Nick Kyrgios’ stormy US Open has ended with a relatively mild insult to a line judge as a “whistleblower” and a beating at the hands of Andrey Rublev 7-6 (5), 7-6 (5), 6-3.Rublev moved into the fourth round at Flushing Meadows after overcoming 30 aces and crafty shotmaking from Kyrgios while neutralizing the fiery Australian from the baseline. The 43rd-ranked Russian was just too consistent, controlling most of the extended rallies and committing just 14 unforced errors to Kyrgios’ 38. Notably, Kyrgios was on his best behavior, by his standards. In the first set, a linesperson reported some bad Kyrgios language to the chair umpire. She asked him about it during the changeover and he looked back over at the linesperson across the court and said, “What I say? … whistleblower.”Kyrgios was recently slapped with a record $113,000 fine for boorish behavior at a tuneup tournament and became the focus on an ATP “major offense” probe this week for saying in a post-match news conference that the men’s tennis tour is “corrupt.” He is still awaiting punishment.Rublev, meanwhile, moves on to play Matteo Berrettini in the round of 16.MONFILS ENTERS SECOND WEEKGael Monfils is taking his dazzling shotmaking into the fourth round of the US Open after outlasting Denis Shapovalov 6-7 (5), 7-6 (4), 6-4, 6-7 (6), 6-3.Monfils, the No. 13 seed, matched the 33rd-ranked Canadian shot for shot in a contest that was all about big shots, high risks and high rewards. Shapovalov, for example, blasted 75 winners but also had 64 unforced errors. Monfils squandered a match point in the fourth-set tiebreaker but held on with a crucial service break in the deciding set to win it.LAMONF does [email protected]_Monfils celebrates in serious style after a 5-set thriller over Shapovalov…#USOpen pic.twitter.com/HRJX7sRrgs— US Open Tennis (@usopen) September 1, 2019 In the post-match news conference, even Shapovalov said he couldn’t help but be impressed with Monfils’ shots, saying he came up with the tennis equivalent of a “lot of flashy dunks.”Monfils moves on to play Pablo Andujar in the round of 16. andrey rublevDenis ShapovalovGael Monfilsnick kyrgios First Published: September 1, 2019, 9:47 AM IST
Story Highlights A number of justice facilities across the island are to be expanded and rehabilitated in the new fiscal year at a cost of more than $1.3 billion.The Government has provided $954 million in the 2018/19 Estimates of Expenditure to retrofit an existing building to accommodate a family court in Spanish Town, St. Catherine; establish four justice centres islandwide; and rehabilitate and upgrade Public Building West (Offices of the Director of Public Prosecution and the Court of Appeal).The work will be done under the Justice Sector Reform Programme in the National Security Ministry.Meanwhile, $267 million has been allocated towards the construction and improvement under the courthouses project.The initiative seeks to provide improved court facilities, which are conducive to the delivery of the services being provided by the justice sector.Under this initiative, the Government aims to continue the rehabilitation and upgrading of Public East Building.In addition, some $99.6 million has been set aside in the budget to facilitate the procurement of eight vehicles for judges and two mobile witness rooms. Meanwhile, $267 million has been allocated towards the construction and improvement under the courthouses project. A number of justice facilities across the island are to be expanded and rehabilitated in the new fiscal year at a cost of more than $1.3 billion. The Government has provided $954 million in the 2018/19 Estimates of Expenditure to retrofit an existing building to accommodate a family court in Spanish Town, St. Catherine; establish four justice centres islandwide; and rehabilitate and upgrade Public Building West (Offices of the Director of Public Prosecution and the Court of Appeal).
zoom Rickmers Trust Management, a trustee-manager of Rickmers Maritime, informed that the trust has been wound up.As the winding up of the trust has been completed, the units of the trust and the notes will no longer exist. Accordingly, the notes will also be delisted from the Singapore Exchange Securities Trading Limited (SGXST) with effect from 9:00 a.m. on August 30, 2017.The final distribution to the unsecured creditors of the trust was completed on August 15, 2017. The equivalent payments, representing a recovery of about 12.1% to all unsecured creditors of the trust, have been made.There will be no further distributions or payments, cash or otherwise, to the unsecured creditors of the trust, including the holders of the SGD 100 million 8.45 percent notes due 2017. The outstanding amount due on the notes has been paid to the notes trustee, DB International Trust (Singapore) Pte Limited. This represents the final payment on the outstanding notes to the notes holders and the trust has been wound up as of August 16, 2017, Rickmers said.The notes trustee will be making arrangements with CDP to credit the relevant distribution amount to each note holder based on the records of CDP.In April this year, Rickmers Trust Management submitted an application to the SGXST for the delisting approval. The company was forced to delist due to its inability to make a reasonable exit offer to unitholders. Further reasons included no prospects of a corporate rescue and the failed restructuring attempts.