Aqueous | Canyon Jam | Mishawaka Amphitheatre | Bellvue, CO | 9/9/17 | Photos by Bill McAlaine Set: Origami, Weight of the Word, Second Sight, King for a Day, Strawberry Fields > Kitty Chaser Organ Freeman | Canyon Jam | Mishawaka Amphitheatre | Bellvue, CO | 9/9/17 | Photos by Bill McAlaine After these two powerful performances, it was finally time for Friday’s headliners—The Main Squeeze. Led by kimono-clad frontman Corey Frye and his charismatic vocals, The Main Squeeze plays a special blend of soul and funk with a rock-and-roll edge, becoming a true force to be reckoned with. At any given moment, Frye’s crooning vocals were reminiscent of Jamiroquai or James Brown, though when guitarist Max Mewman or drummer Reuben Gingrich let loose, one might have have been reminded of Rage Against the Machine with their hard-hitting solos. Friday’s set saw the band play almost continually through fan-favorite originals like “I’ll Take Another,” “Dr. Funk,” and “ WWC,” though it was a cover of Tears For Fears’ hit “Everybody Wants to Rule the World” that got the venue truly fired up.The Main Squeeze, “Everybody Wants To Rule The World”After a sunny Saturday on the water for the many attendees who were camped nearby, the music started back up on day two with evening sets from Colorado locals Jus’ Sayin’ and Cycles. The neo-soul stylings of Jus’ Sayin’ were a welcome way to start the day, with the local five-piece laying out some solid grooves to kick off Saturday’s festivities. The psychedelic trio Cycles got a thriving fanbase out early, with bassist Tucker McClung taking gold for best facial expressions and stage presence of the weekend. Their set wandered into spacey uncharted territory, per usual, but came together for a buttoned-up “Chapanga” to close.Cycles’ set at Canyon Jam, courtesy of The Space FishNext was the sleeper highlight of the weekend, fusion trio Organ Freeman. Though their comical name and song titles (for example, “Go by Richard, Not by Dick”) would suggest a light-hearted approach, once the three musicians got on stage, they were all business. All three musicians—Rob Humphreys on drums, Trevor Steer on organ/bass, and Erik Carlson on guitar—are top-tier players that offer head-scratching dynamics from their time together at the Musicians Institute of Hollywood. The band has a take on the organ jazz trio all their own, effortlessly jumping between tempos and time-signatures in creative ways not easily envisioned or mimicked.SETLIST: Organ Freeman | Mishawaka Amphitheater | Bellvue, CO | 9/9/17Set: Verve, Don’t eat your fingers, We’re on our way, You said you quit drinkin’, Only if you meant it, byrd vs fish, Putin and I get along fantastic, Go by Richard not by dick, Long live the king Aqueous’ set at Canyon Jam, courtesy of The Space FishClosing out the festival with a two-hour headlining slot was Arizona’s Spafford. Fresh off the release of a new album, Abaculus, which is a single-track studio exploration, it’s easy to see why the band has gained a reputation as incredible listeners. Drummer Cameron Laforest and bassist Jordan Fairless work together to create a backbone ready to bend any moment frontman Brian Moss’ guitar deems necessary. Spafford grabbed their audience’s attention immediately with their opening number, their debut of a cover of JJ Cale’s “After Midnight.” However, the group was at its best when they were exploring new territory on deep originals, like “Windmill,” and seamlessly jamming through tunes with their characteristic, tight transitions.SETLIST: Spafford | Canyon Jam | Mishawaka Amphitheater | Bellvue, CO | 9/9/17 Set One: After Midnight (JJ Cale cover, first time played) > Walls > All My Friends > Bee Jam > Electric Taco Stand > Alternate Ending > Electric Taco Stand, Windmill, Sweet, Backdoor Funk, Galisteo WaySpafford, “Electric Taco Stand” > “Alternate Ending”All in all, Canyon Jam’s debut was a well-received hit in one of the country’s top markets for jam music. By combining the passion of national acts still climbing the ladder with the natural beauty of Colorado, Canyon Jam is sure to be an event eagerly marked on calendars for years to come. Below, you can check out by-band galleries of photos from Canyon Jam day two courtesy of photographer Bill McAlaine.Keep an eye out for brand new music from all of the exciting acts on the bill in the near future. Organ Freeman just announced a brand new album, Respect My Art, which features members of Vulfpeck and Turkuaz. Spafford just released their all-improv odyssey, Abaculus: An Improvisational Experience, and Aqueous just released their complex new single “Weight of the Word” from their own upcoming studio album. You can also catch each of these bands on tour this fall. For more information on upcoming dates, or to purchase tickets, head to the bands’ websites (Spafford; The Main Squeeze; Aqueous; Organ Freeman; Mungion; Cycles; Jus Sayin).Spafford | Canyon Jam | Mishawaka Amphitheatre | Bellvue, CO | 9/9/17 | Photos by Bill McAlaine & Gary Sheer The Main Squeeze | Canyon Jam | Mishawaka Amphitheatre | Bellvue, CO | 9/8/17 | Photos by Gary Sheer Load remaining images Load remaining images Two days. One river. Eight great bands. The inaugural Canyon Jam was a hands-down success this past weekend at the Mishawaka, bringing together a group of the jam scene’s top young talent into one well-organized and well-executed festival. Few outdoor venues in Colorado—or the country for that matter—stack up to the intimate beauty of the Mishawaka in Bellevue, Colorado. The venue derives its name from a Native American word meaning “Big Rapids,” and the wooden stage sits tight against the banks of the Cache La Poudre River surrounded by the sheer cliffs of the canyon. Its natural scenery was the perfect setting to take a break from civilization and take in some incredible sold-out performances by Spafford, The Main Squeeze, Aqueous, Mungion, Organ Freeman, and more.Things kicked off Friday night with a soulful opening performance from Denver-based Moves at Midnight. Their catchy dance beats and melodic play between baritone and tenor saxophones delighted the early crowd. Next up was Chicago’s Mungion, a four-piece prog powerhouse that perhaps had the best chops of any act of the weekend. The band recently had their gear stolen after a gig in Detroit (a crowd-funding campaign to get them back on their feet has already raised over $30k) but was able to backline gear from the headliners and didn’t seem to miss a beat. Cerebral guitarist Justin Reckamp shined on some searing solos, but it was Mungion’s group improvisation and intricate compositions, especially on the set-closing “One Night Stan,” that set them apart.Moves at MidnightMungion Load remaining images Load remaining images Photo: Bill McAlaine A dialed-in set from Aqueous was next—yet another band on the bill that has jumped from up-in-comer to festival staple over the last few years. The four-piece brought a welcoming vibe, maintaining a progressive foundation while also diving into traces of ska and reggae that kept the music jubilant. In an unexpected change of pace, the band dropped into a beautiful rendition of the Beatles’ tune “Strawberry Fields Forever.” Their extended version of the catchy “Kitty Chaser (explosions)” was the best jam of the weekend, diving into fifteen minutes of glitchy improvisation before circling back to the hook.SETLIST: Aqueous | Canyon Jam | Mishawaka Amphitheater | Bellvue, CO | 9/9/17
The US Department of Labor has unveiled a new tool to help employers and others understand how to comply with requirements under the H-1B visa program, which allows for the temporary employment of foreign workers in the U.S. in certain specialty occupations.An online “advisor,” available at http://www.dol.gov/elaws/h1b.htm(link is external), describes the program’s standards and provides detailed information about employers’ and workers’ rights and responsibilities. It outlines notification requirements, monetary issues, worksite issues, recordkeeping, worker protections and enforcement.“The Labor Department’s goal is to provide employers and the public with user-friendly information regarding both rights and responsibilities under the H-1B program,” said Secretary of Labor Hilda L. Solis. “The new online advisor harnesses technology to help take the mystery out of the new rules, and it offers an important resource to workers and employers alike.”The H-1B nonimmigrant visa classification was created under the Immigration and Nationality Act to help employers who cannot obtain needed skills and abilities from the U.S. workforce by authorizing the employment of qualified individuals who are not otherwise authorized to work in the U.S. The act establishes certain standards to protect similarly employed U.S. workers from being adversely affected by the employment of foreign workers under the H-1B program, as well as to protect H-1B workers themselves.Responsibilities for the H-1B visa program are shared among the Labor Department’s Office of Foreign Labor Certification and the department’s Wage and Hour Division, the U.S. Department of Homeland Security’s U.S. Citizenship and Immigration Service and the U.S. Department of State. The new advisor tool focuses solely on compliance with the requirements enforced by the Wage and Hour Division. The tool does not review the process for participating in the program or for invoking H-1B visa portability.The H-1B Advisor is one of a series of Employment Laws Assistance for Workers and Small Businesses, or “elaws,” advisors developed by the Labor Department’s Office of the Assistant Secretary for Policy, working with other department agencies, to help employers and employees understand federal employment laws. To access the set of advisors, visit the elaws website at http://www.dol.gov/elaws(link is external). To learn more about the Labor Department’s role in administering the Immigration and Nationality Act and the H-1B visa program, visit the department’s Office of Foreign Labor Certification website at http://www.foreignlaborcert.doleta.gov(link is external) and its Wage and Hour Division site at http://www.dol.gov/whd(link is external).# # #Source: U.S. Department of Labor releases are accessible on the Internet at http://www.dol.gov(link is external). The information in this news release will be made available in alternate format (large print, Braille, audio tape or disc) from the COAST office upon request. Please specify which news release when placing your request at 202-693-7828 or TTY 202-693-7755. The Labor Department is committed to providing America’s employers and employees with easy access to understandable information on how to comply with its laws and regulations. For more information, please visit http://www.dol.gov/compliance(link is external).
Published on March 29, 2015 at 7:20 pm Contact Jesse: [email protected] | @dougherty_jesse Facebook Twitter Google+ When Terry Rozier’s shot rimmed out and the clock ran out, Denzel Valentine and Bryn Forbes started running toward the Michigan State bench — their mouths wide open and their arms imitating airplane wings.The Spartans held a six-point lead and Rozier’s shot had no chance of swaying the final outcome. MSU head coach Tom Izzo stood in place while pandemonium ensued around him, soaking in his seventh Final Four bid.Forbes and Valentine dodged their teammates and coaches that poured onto the Carrier Dome floor, harnessing the same characteristic that’s guided seventh-seeded Michigan State through four rounds of the NCAA Tournament.Untouchability.“I had so much energy and happiness and everything was running through my head,” Forbes said. “And I just couldn’t stop. I had to keep moving and just live the moment out. No one could catch me.”AdvertisementThis is placeholder textIt took two halves and an overtime period, but the Spartans eventually edged fourth-seeded Louisville to win the East Regional on Sunday afternoon. Travis Trice — named the regional’s most outstanding player — led MSU with 17 points and iced the game with two free throws before Rozier’s miss pushed the Spartans to the pinnacle of college basketball.Almost as soon as the game ended, Michigan State players wore hats that that said “Regional Champs” and shirts that said “Cut Down The Net.” And while two ladders were placed under the rim for them to do so, the Cardinals plodded off the court through a sea of Spartan green.A year ago, fourth-seeded Michigan State fell to eventual champion Connecticut in the Elite Eight. The Huskies, like MSU, were a seven seed blazing through favored opponent after favored opponent. The Spartans are on an eerily similar run, already edging second-seeded Virginia in the Round of 32, third-seeded Oklahoma in the Sweet 16 and now the Cardinals in their latest upset.“Spartan nation showed up tonight,” Izzo yelled as MSU accepted the East Regional trophy on a stage near center court. “They didn’t make it easy, but we’re going to the Final Four.”From there, Izzo faded to the background and let his team enjoy the moment — players like Trice, Valentine and Branden Dawson, among other returnees, were finally able to shake last year’s Elite Eight loss.Former Spartans guard and NBA Hall of Famer Earvin “Magic” Johnson took questions in a crowd of TV cameras. Spartans adjusted their flat-brim hats and repeatedly hugged one another. The only fans left in the Dome wore green and chanted “Go White! … Go Green!” across the court while holding iPhone cameras in front of their faces.One by one, the Michigan State players walked up the ladder in front of the net to cut a piece off.Lourawls “Tum Tum” Nairn Jr., whose pesky on-ball defense helped the Spartans hold the Cardinals to just five made field goals after shooting 53 percent in the first half, slowly stepped on each rung before raising his piece and inciting a large cheer from the crowd.Valentine, who made big play after big play down the stretch, pumped his arms in the air to ask for more noise.Dawson, whose putback off a Forbes miss gave MSU a two-possession lead with 36 seconds left in overtime, had trouble cutting off a piece and looked back at his laughing teammates for guidance.After Trice cut off his sliver, a small piece of the net still dangled from the rim. The players looked around for Izzo, who was standing behind the ring of reporters on the 3-point arc and smiling at his team.“Go cut down the last of it, Tom,” a Michigan State athletics representative said.“No, I want the seniors and those guys to do it,” Izzo answered.But no one wanted anyone but Izzo to touch the last remnants of the Spartans win. His players waved him closer to the ladder. The crowd chanted “Izzo! Izzo! Izzo!”So he obliged, leaning on Trice before stepping up the ladder, snipping off the last bit of the net and raising it high above his head.And in a very disappointing year for basketball in Syracuse, one team was able to use the city as a springboard to greater things. Comments